ONLINE PAPERS
Zampronha explains his trajectories as a composer, his main musical issues and his original compositional proposals.
* In: Música Contemporânea Brasileira 1: Flo Menezes e Edson Zampronha. Coleção Cadernos de Pesquisa-Centro Cultural São Paulo, 2008.
TRÊS EXEMPLOS DE RETÓRICA NO DISCURSO MUSICAL
Zampronha disclose to the reader how it is possible to construct a rethoric discourse in musical composition, and he gives three examples: one from Beethoven, other from Varèse and another one from his piano piece Reduced Fragments of a Very Large Story.
* In: Claves, n.2. November, 2006.
GESTURE IN CONTEMPORARY MUSIC - On The Edge Between Sound Materiality And Signification
This text is a deep explanation by Zampronha on the meaning of gesture in contemporary music and its role as a bridge for the linking of sound materiality and musical signification.
* In: Revista Transcultural de Música/Transcultural Music Review v.9, 2005.
MÁRMORE, for Tuba & Electroacoustics
This on line publication includes the complete score of the work Mármore, its full recording by Jesús Jara and a comment on the work.
* Published by the Fondation Daniel Langlois pour l'art, la science et la technologie, 2005.
DÊ BOAS-VINDAS À MÚSICA ELETROACUSTICA
Zampronha is interviewed by Mariá Portugal and he explains in a very direct terminology what electroacoustic music is, from where it comes from and how to grasp its specific conception on rhythm.
* Published at www.rraulr.com, 2005.
EL LENGUAJE MUSICAL EN LOS NUEVOS MEDIOS TECNOLÓGICOS
A brief text in which Zampronha explains the relation between musical language and technological tools.
* In: REA-Revista Electroacústica, 2004.
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SEQÜENCIALIDADE E AS DILATAÇÕES E COMPRESSÕES
NA PERCEPÇÃO DO TEMPO
MUSICAL
Written by Daniel BARREIRO and Edson ZAMPRONHA this text makes an approach on how musical time is perceived in a more stretched or compressed way.
* In: Fórum do Centro de Linguagens Musicais de la PUC-SP - Caderno de Textos, 2000.
UM ESTUDO
DE QUANTIDADES TEMPORAIS A PARTIR
DE UMA ANÁLISE QUALITATIVA
Written by Daniel BARREIRO and Edson ZAMPRONHA this text analyzes how the perception of musical time is compressed and stretched in a Jorge Antunes' piece.
* In: Revista Eletrônica de Musicologia, Curitiba, v. 5.2, 2000.